Yu Homma

写真a

Affiliation

Research Centers and Institutes, Keio Museum Commons Keio Museum Commons ( Mita )

Position

Associate Professor

Contact Address

Keio University Mita Campus

External Links

Other Affiliation 【 Display / hide

  • Keio University, Research Center, Keio University Art Center, Research Fellow

 

Research Areas 【 Display / hide

  • Humanities & Social Sciences / History of arts

  • Humanities & Social Sciences / Theory of art practice (Documentation of Artistic Practices)

  • Humanities & Social Sciences / Cultural assets study

  • Humanities & Social Sciences / Museology

Research Keywords 【 Display / hide

  • Art Documentation

 

Books 【 Display / hide

  • デジタルアーカイブ入門 : つかう・つくる・支える

    柳, 与志夫, 渡邉, 英徳, 勉誠社, 2025.06,  Page: x, 425p

    Scope: ヴァーチャル・リアリティ(VR)への展望

  • ミュージアムの未来をつくる博物館情報・メディア論 = Museum information and media studies

    阿児, 雄之, 北岡, タマ子, 田良島, 哲, 福島, 幸宏, 本間, 友, 山内, 利秋, 美学出版, 2025.03,  Page: 388p

  • デジタル時代のコレクション論

    中村, 覚, 逢坂, 裕紀子, 本間, 友, 佐藤, 翔, 金, 甫榮, 松田, 真, マルラ, 俊江, 阿児, 雄之, 国立国会図書館電子情報部電子情報企画課連携協力係, 国立国会図書館, 小川, 潤, 塩崎, 亮, 嘉村, 哲郎, 栗原, 佑介, 勉誠社, 2024.10,  Page: 8, 289p

  • 慶應義塾の建築 FOCUS No.1 信濃町往来

    本間 友, 2018.03

  • ARTEFACT

    本間 友, 慶應義塾大学アート・センター, 2018.03

Papers 【 Display / hide

  • Digital Commons Project: A Study of the Collaborative Use and Development of Digital Collections in the Field of Arts and Culture

    本間友, 大島志拓, 重野寛

    The KeMCo Review 3   63 - 80 2025.03

    Accepted,  ISSN  2758-7452

  • An Exhibition as a Place to Open Up Participation: Modalities of Participation in the “Who Forms Archaeological Sites – in What Manner?” Exhibition

    Homma Yu

    The KeMCo Review (Keio Museum Commons)  2   96 - 108 2024

    ISSN  2758-7444

     View Summary

    The Keio Museum Commons designs and implements participatory exhibitions that invite various forms of participation from visitors and the communities surrounding the university, focusing on widening people’s engagement with the university’s collections. This research note analyses the modalities of participation in the March 2023 exhibition “Who Forms Archaeological Sites – in What Manner?”, referring to discussions on participations in museums, as well as issues around Citizen Science and Public Humanities in Japan. This paper then addresses how exhibitions visualising different modalities of participation can function as effective platforms for opening up participation in cultural and academic activities to a wider audience.

  • A Participatory Exhibition Based on Object-based Learning: Redesign of the Keio Museum Commons’ Exhibition “Object Reading: Eight Perspectives on Reading Objects”

    Homma Yu

    The KeMCo Review (Keio Museum Commons)  1   43 - 52 2023.03

    ISSN  2758-7444

     View Summary

    In 2021, the Keio Museum Commons hosted a participatory exhibition “Object Reading: Eight Perspectives on Reading Objects”. Its aims were to introduce the university’s various collections, to illustrate the diverse and different perspectives on artworks and resources depending on the field of expertise, and to create a space for visitors to participate in a research-based relationship with objects.
    This paper reviews the challenges of “Object Reading” as a participatory exhibition and examines the redesign of the exhibition. First, an overview of object-based learning (OBL), which was employed as a framework for participation, and its relation to previous practices at KeMCo is described. Next, the issues involved in implementing OBL in exhibitions are clarified, and the redesign of the exhibition is examined from two aspects: the tools used at the venue and the exhibition design. Finally, these considerations address the role of participatory exhibitions in university museums and their potential connection to Citizen Science.

  • 修復記録に触れる—修復ドキュメンテーションの共有化

    本間 友

    我に触れよ(Tangite me):コロナ時代に修復を考える」展 記録集    140 - 146 2022.03

    Lead author

  • [43] オブジェクトを交差させる場としてのデジタル・ミュージアム: Exhibition RoomX の設計思想と実装

    本間 友, 宮北 剛己

    デジタルアーカイブ学会誌 5 ( s2 ) s187 - s190 2021.12

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Papers, etc., Registered in KOARA 【 Display / hide

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Reviews, Commentaries, etc. 【 Display / hide

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Presentations 【 Display / hide

  • 修復ドキュメンテーション(Conservation Documentation)の共有化:近年の議論とオープンサイエンスとの関わり

    2022年度 アート・ドキュメンテーション学会年次大会, 

    2022.06

    Oral presentation (general)

  • アーカイヴとパトロネージ

    本間 友

    [Domestic presentation]  慶應義塾大学アート・センター周年事業 / KUAC Art Archive 20周年シンポジウム「ジェネティック・エンジン」, 

    2018.11

    Other

  • 都市のカルチュラル・ナラティヴ:リサーチをキーワードとする文化ネットワーク

    本間 友

    [Domestic presentation]  世界に開かれた「文化の港」を目指して, 

    2018.11

    Public lecture, seminar, tutorial, course, or other speech

  • 都市のカルチュラル・ナラティヴとARTEFACT:リサーチをキーワードとする文化ネットワーク

    本間 友

    [Domestic presentation]  平成30年度第1回港区文化芸術ネットワーク会議, 

    2018.10

    Public lecture, seminar, tutorial, course, or other speech

  • 慶應義塾の文化財と三田キャンパスのギャラリー

    本間 友

    [Domestic presentation]  慶應義塾のギャラリーを知る:トーク&ガイド〈釈宗演と近代日本〉展, 

    2018.07

    Public lecture, seminar, tutorial, course, or other speech

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Research Projects of Competitive Funds, etc. 【 Display / hide

  • Research on Archiving and Sharing Conservation Documentation of Artworks

    2023.04
    -
    2026.03

    基盤研究(C), Principal investigator

  • デジタル・コモンズを活用した「文化体験普及のためのリテラシー学習プログラム」の 設計および実践

    2023.04
    -
    2026.03

    (公財)電気通信普及財団, ネット社会課題対応援助, No Setting

  • Utilization of Art Resources in University

    2015.04
    -
    2018.03

    Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, Omuka Toshiharu, TANAKA Sayoko, HAYASHI Michiko, MURAKAMI Fumiaki, EGUCHI Minami, YOKOTA Hiroshi, MATSUNAGA Kazuhiro, HONMA Yu, MORIYAMA Midori, KOBAYASHI Shunsuke, Grant-in-Aid for Scientific Research (A), No Setting

     View Summary

    This study is perfomed by six groups from those universities which are different in land area of campus and with or without university museum. After three-year researches, it became evident that the art resource as education and research property in university is extant in various forms, not only as an art work. The category of art resource is open, ranging from hortus siccus to university building, even to intangible "memory" and so it can be utilized in various ways in education and research. On the other side, it cannot be denied that this kind of openess makes vague the definition of the art resource. In this respect its definition requires further researches.

  • Examination and Construction of the International Basis of Butoh Studies

    2011
    -
    2013

    Japan Society for the Promotion of Science, Grants-in-Aid for Scientific Research, KOSUGE Hayato, HOMMA Yu, Grant-in-Aid for Scientific Research (C), No Setting

     View Summary

    Pursuing the research subject "Examination and Construction of the International Basis of Butoh Studies," we have collected the information on the present situation and accumulation of Butoh research of foreign countries, and we have shared the basic information on the making of Butoh performance and our own situation on the academic achievements in Japan in the several international conferences. According to our effort of information sharing, Butoh researchers in Asia, Europe and America got recognized the making and development of Butoh performance, and we have been able to get the perspective of making Butoh researchers' network in international basis. In addition, we proposed one of the research methods through the process of discovering the new material and reconstructing Butoh performance in 1970.

Works 【 Display / hide

  • 慶應義塾大学アート・センターウェブサイト再構築プロジェクト2012

    本間 友

    2012.01
    -
    2013.08

    Other

  • 慶應義塾大学アート・センター アーカイヴ 資料目録

    本間 友

    2010.02

    Database science

  • ポートフォリオBUTOH: Footage

    本間 友

    2008.12
    -
    2011.03

    Web Service

 

Courses Taught 【 Display / hide

  • MUSEUM INFORMATION AND MEDIA STUDIES

    2026

  • MUSEUM AND COMMONS 2

    2026

  • ADVANCED STUDIES IN ART HISTORY 2G

    2026

  • STUDY OF AESTHETICS AND SCIENCE OF ARTS 5

    2026

  • MUSEUM AND COMMONS 1

    2026

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Courses Previously Taught 【 Display / hide

  • Museum and Commons

    Keio University

    2021.10
    -
    Present

 

Social Activities 【 Display / hide

  • 慶應義塾大学と三田の名建築

    慶應義塾大学アート・センター

    2017.12
  • 都市文化の物語: 港区文化資源の近世と現代

    慶應義塾大学アート・センター

    2017.11
  • ガイドツアー&ワークショップ 三田山上で出会う近代建築と彫刻

    慶應義塾大学アート・センター

    2017.08
  • Chulalongkorn University and Keio University Art Center Cultural Exchange / Lecture and Workshop “A Taste of Hijikata’s Butoh Dance”

    慶應義塾大学アート・センター

    2017.07
  • 文化庁国際シンポジウム 現代芸術アーカイヴの構築に向けて—— 保存・発信・活性化

    文化庁

    2017.01

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Committee Experiences 【 Display / hide

  • 2021

    幹事長, アート・ドキュメンテーション学会

  • 2018
    -
    Present

    UMAC 2019 Program Committee, ICOM University Museums and Collections

  • 2009
    -
    2016

    役員, アート・ドキュメンテーション学会