Oya, Reiko

写真a

Affiliation

Faculty of Business and Commerce (Hiyoshi)

Position

Professor

Academic Background 【 Display / hide

  • 1987.03

    The University of Tokyo, Faculty of Liberal Arts

    University, Graduated

  • 1990.03

    The University of Tokyo, Graduate School, Division of Humanities

    Graduate School, Completed, Master's course

  • 1991.09

    University of Birmingham, Shakespeare Institute, Shakespeare Studies

    United Kingdom, Graduate School, Completed, Master's course

  • 1993.03

    The University of Tokyo, Graduate School, Division of Humanities

    Graduate School, Withdrawal after completion of doctoral course requirements, Doctoral course

  • 2003.08

    King's College London, Department of English, Shakespeare Studies

    United Kingdom, Graduate School, Completed, Doctoral course

 

Research Areas 【 Display / hide

  • Humanities & Social Sciences / European literature (European Language Literature)

Research Keywords 【 Display / hide

  • 18th century

  • British culture

  • Shakespeare

  • reception

  • theatre history

display all >>

 

Books 【 Display / hide

  • Shakespeare and His Biographical Afterlives

    Paul Franssen、 Paul Edmondson , 2020.04

    Scope: Chapter 3 'Talk to Him': Wilde, his Friends and Shakespeare’s Sonnets ,  Contact page: 48-67

  • Sonnets: The State of Play

    OYA REIKO, Bloomsbury Publishing, 2017

    Scope: ‘Scar on the Face: Ted Hughes Reads Shakespeare’s Sonnets’

  • The Cambridge Guide to the Worlds of Shakespeare

    OYA REIKO, Cambridge University Press, 2016

    Scope: Shakespeare Translations in Asia

  • Women Making Shakespeare: Text, Reception, Performance

    OYA REIKO, Bloomsbury, 2014

    Scope: Or was it Sh-p-re?’: Shakespeare in the Manuscript of Virginia Woolf’s To the Lighthouse

  • シェイクスピア・プリズム:英国ルネサンスから現代へ

    OYA REIKO, 金星堂, 2013

    Scope: シェイクスピア喜劇と女優:1740-41年シーズンに注目して

display all >>

Papers 【 Display / hide

  • The Comedy of Hamlet in Nazi-Occupied Warsaw: An Exploration of Lubitsch’s To Be or Not to Be (1942)

    Reiko Oya

    Shakespeare Survey (Cambridge University Press)  72 2019

    Accepted

  • Denial and Assertion: W. H. Auden’s Reading of Shakespeare’s Sonnets (forthcoming)

    OYA REIKO

    アートセンター・ブックレット  2017

  • Authenticating the Inauthentic: Edmond Malone as Editor of the Apocryphal Shakespeare

    OYA REIKO

    Shakespeare Survey (Cambridge University Press)  69   324 - 333 2016

    Research paper (scientific journal), Accepted

  • Filming 'the weight of this sad time': Yasujiro Ozu’s rereading of King Lear in Tokyo Story (1953)

    OYA REIKO

    Shakespeare Survey (Cambridge University Press)  66   55 - 66 2013

    Research paper (scientific journal), Single Work, Accepted,  ISSN  9781316138427

  • Kaoru Osanai and the Impact of Edward Gordon Craig’s Theatrical Ideals on Japan’s Shingeki (New Theatre) Movement

    OYA REIKO

    Shakespeare (Routledge)     418 - 427 2013

    Research paper (scientific journal), Single Work, Accepted

display all >>

Papers, etc., Registered in KOARA 【 Display / hide

Reviews, Commentaries, etc. 【 Display / hide

  • Gary Taylor, John Jowett, Terri Bourus, and Gabriel Egan, (eds.), The New Oxford Shakespeare: The Complete Works: Modern Critical Edition

    Reiko Oya

    英文学研究 (日本英文学会)  96 2019

  • Akihiro Yamada's Readers and Audiences in the Age of Shakespeare

    OYA REIKO

    Studies in English Literature (English Literary Society of Japan)  57   83 - 88 2016

    Book review, literature introduction, etc., Single Work

  • Penny Gay's ‘Women and eloquence in Shakespeare and Austen’

    OYA REIKO

    ABES (Routlege)   2012

    Book review, literature introduction, etc., Single Work

  • Robert Tierney's ‘Othello in Tokyo: Performing Race and Empire in 1903 Japan’

    OYA REIKO

    ABES (Routledge)   2012

    Book review, literature introduction, etc.

  • Andrew Murphy's ‘Shakespeare and Chronology: Edward Dowden's Biographical Readings’

    OYA REIKO

    ABES (Routlege)   2011

    Book review, literature introduction, etc., Single Work

display all >>

Presentations 【 Display / hide

  • Coleridge, his ‘siblings’ and Shakespeare’s Sonnets

    OYA REIKO

    London Shakespeare Seminar (London) , 

    2014.10

    Public lecture, seminar, tutorial, course, or other speech, University of London

  • ‘Authenticating the Inauthentic: Edmond Malone’s Editions of The Passionate Pilgrim’

    OYA REIKO

    International Shakespeare Conference, 

    2014

    Symposium, workshop panel (public)

  • 『ソネッツ』 解釈の展望

    OYA REIKO

    第51回シェイクスピア学会 (秋田大学) , 

    2012.10

    Public lecture, seminar, tutorial, course, or other speech, 日本シェイクスピア協会

  • Filming 'the weight of this sad time': Yasujiro Ozu’s rereading of King Lear in Tokyo Story

    OYA REIKO

    International Shakespeare Conference (Stratford-upon-Avon, UK) , 

    2012.08

    Oral presentation (invited, special), International Shakespeare Association

  • シェイクスピアにおける歴史的名優達:声、スピード、そして情念

    OYA REIKO

    第49回シェイクスピア学会 (福岡女学院大学) , 

    2010.10

    Symposium, workshop panel (nominated), 日本シェイクスピア協会

display all >>

Works 【 Display / hide

  • SEASONS: Representation of "Time" through the medium of space, music, and contemporary dance

    OOYA REIKO

    2004.10

    Other, Joint

 

Courses Taught 【 Display / hide

  • GENERAL EDUCATION SEMINAR (DB)

    2022

  • GENERAL EDUCATION SEMINAR (DA)

    2022

  • ENGLISH READING 2B(UPPER INTERMEDIATE)

    2022

  • ENGLISH READING 2A(UPPER INTERMEDIATE)

    2022

  • ENGLISH READING 1B(UPPER INTERMEDIATE)

    2022

display all >>