Details of a Researcher - Kosuge, Hayato

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The Social World of Butoh Dance: Screening an Unseen Performance from the 1970s

Hayato KOSUGE and Kae ISHIMOTO

International Federation for Theatre Research Annual Conference 2024 (University of the Philippines Diliman) ,

2024.07

International Federation for Theatre Research

Join us over the course for talks and a screening of Shiokubi (1975) – a performance created by butoh dancer Bishop Yamada, overseen by Tatsumi Hijikata. This performance marks the founding of Yamada’s own dance company Hoppo Butoh Ha in Tsuruoka (Yamagata prefecture). The performance was shot as part of a video project known as the VIC (Video Information Center)*, which includes 1,200 tapes of performances, exhibitions, and events from the 1970s and 1980s. Those involved in the project were not only interested in documenting the performance of Shiokubi (Head was kept in salt) itself, but the whole world around the performance: from arrival at the venue, to final rehearsal, to afterparty. We will be giving researchers a chance to watch these additional materials, as well as situating the film within the context of the VIC archive and the Tatsumi Hijikata Archive, both held at Keio University Art Center.

*VIC (Video Information Center, 1972-present) is a movement that recorded various events to produce experimental television broadcasts, such as the 1978 ‘Paravision Ten’ CATV broadcast.

*Butoh dance is said to have started in the late 1950s in Japan, with Hijikata Tatsumi as its founder. Hijikata’s butoh method specifically uses image-language as choreography, and engages with Japanese movement traditions as well as Western literary and artistic influences. Butoh places a special importance on the quality and energy of movement, seeking to encourage a localized sensitivity to movement, through connection with the imagination. It particularly interrogates ideas of an uncontrolled, distorted, or collapsed body, and is sometimes termed the ‘body in revolt.’

前衛パーフォーマンスの探究vol.1 ポートフォリオBUTOH「『ラ・アルヘンチーナ頌』上映会

小菅隼人，永田靖，石本華江

前衛パーフォーマンスの探究vol.1 ポートフォリオBUTOH「『ラ・アルヘンチーナ頌』上映会,

2024.03

Public lecture, seminar, tutorial, course, or other speech, 慶應義塾大学アート・センター，大阪大学中之島芸術センター

VICコレクション*より、大野一雄の伝説的公演〈ラ・アルヘンチーナ頌〉の上映会を行いました。舞踏を代表する作品の一つである本公演の初演をとらえたVICの映像は、舞踏研究において、そして当時の前衛芸術を語る上で稀有な資料です。
第一部として、石本華江（慶應義塾大学アート・センター土方巽アーカイヴ）によりアート・センターおよびVICコレクションについて説明の後、〈ラ・アルヘンチーナ頌〉公演映像の全編上映を行いました。
第二部は小菅隼人から大野一雄の舞踏について概要の説明、また永田靖（大阪大学中之島芸術センター／大阪大学文学研究科演劇学研究室）と共にアングラ演劇や舞踏の流れについて討議を行いました。

祈りの場をひらく

Hayato Kosuge

創造力とコミュニティ研究会１９ (横浜市中区石川町，居場所カドベヤ) ,

2023.03

Public lecture, seminar, tutorial, course, or other speech, 居場所「カドベヤで過ごす火曜日」運営委員会，慶應義塾大学教養研究センター　　　

“The Meaning of Hoppo Butoh School in the Shonai Area”

HAYATO KOSUGE

“The Social World of Butoh Dance” (Queens’ College, Cambridge U, UK) ,

2022.12

Oral presentation (invited, special), JSPS

Screening: "The Three Female Butoh Dancers: Kobayashi Saga, Yuki Yuko and Uesugi Mitsuyo"

Hayato Kosuge

Butoh Next (City University of New York) ,

2019.11

Public lecture, seminar, tutorial, course, or other speech, Routledge Book Syposium Organizing Committee

Curated Panel: Performing the Emperor and the War- Heroes in the Context of Deification and Demystification Post- WW2 Tokyo

Rei Inayama, Tomoko Kumagai, Mariko Miyagawa, Hayato Kosuge (curator and chair)

World Congress of International Federation of Theatre Studies (上海) ,

2019.07

Public lecture, seminar, tutorial, course, or other speech, International Federation of Theatre Studies

Urbanism and Ruralism in Butoh: the Significance of Yuki Yuko and Her Dance Company, Suzuran-toh

Hayato Kosuge

World congress of International Federation of Theatre Studies (上海) ,

2019.07

Oral presentation (general), International Federation of Theatre Studies

「演劇にみる《王の二つの身体》―軍神，天皇，Kaiserin―」問題提起

KOSUGE HAYATO

日本絵劇学会分科会西洋比較演劇研究会シンポジウム (成城大学) ,

2019.01

Symposium, workshop panel (nominated), 日本絵劇学会分科会西洋比較演劇研究会

なぜ演劇研究の場で「天皇」を問題にするか
（1）天皇制を演劇的視点から見る時，天皇制はどのような構造―どのような形態と機能―を持っているのか？〈天皇／民衆〉が見る存在である共に見られる存在であったとすれば，天皇制をパフォーマンスとして見ることは，翻って〈舞台／観客〉という演劇の構造を考えることになる．
（2）象徴としての天皇と人間としての天皇の併存という二元構造が天皇制の基本構造だとすれば，「象徴」としての存在と「人間」としての存在を媒介するものは何か？これは翻って演劇における，記号としての劇人物と現実としての俳優の関係を考えることになる．
（3）ヨーロッパの君主制における王権の表象と日本の天皇制における天皇表象に違いがあるのか？　演劇に現れた「君主」像の違いとその影響関係を見ることで，文化の中での演劇作品の変容と，特に，現代において日本で生み出された演劇作品の特徴を見ることができる．

Curated Panel: The Theatre of Ghosts and the Other under the Threat of Mass Deaths

KOSUGE HAYATO,Mariko Hori Tanaka, Tomoko Kusuhara, Yukari Ito

IFTR 2018 Migration and Stasis (9-13 July, 2018) (Belgrade, Serbia) ,

2018.07

Symposium, workshop panel (public), International Federation of Theatre Research

Curated Panel:Migrating/Migrated Bodies in Japanese Context

KOSUGE HAYATO, Ken Hagiwara, Rina Tanaka, Mariko Miyagawa

IFTR 2018 Migration and Stasis (9-13 July, 2018) (Belgrade, Serbia) ,

2018.07

Symposium, workshop panel (public), International Federation of Theatre Research

Theorizing Asian Bodies in Performance

KOSUGE HAYATO

IFTR International Federation for Theatre Research 2018, Regional conference, in UP Diliman, Manila (UP Diliman) ,

2018.02

Symposium, workshop panel (nominated), IFTR International Federation for Theatre Research

The Urbanity and Locality of Northern Butoh School from Fukushima Perspective

KOSUGE HAYATO

FIRT/IFTR International Federation for Theatre Research 2017, Sao Paulo, Brazil (University of Sao Paulo, Brazil) ,

2017.07

Oral presentation (general), University of Sao Paulo, Brazil

Overflowing Local Bodies in Global Age: Introduction

KOSUGE HAYATO

23th PSi conference (Kampnagel, Hamburg) ,

2017.06

Symposium, workshop panel (public), PSi and University of Hamburg

The subject of modern Japanese “overflowing bodies” obscures the demarcation of performance order, whether ‘universal’ or ‘local.’ On the one hand, if we would stand on the position derived from the philosophical quest to discover what the body is and how it is represented, bodies and performances should not be categorised according to ethnicities. Bodies are unconstrained by the parameters of a specific races and cultures to the extent that they have universal essences for all human beings in universal culture. On the other hand, the concept of ‘locality’ of bodies and performances is based on an artistic approach that finds style in endemic and indigenous bodies and body movements, favouring an eccentric, unsophisticated, and premodern or local or ‘rural’ location. Performers or performance groups quite often find their artistic identities in personal or separate consciousness based on the specific site and tradition. Taking the examples of various Japanese bodies in European site, we will open discussion for all participants who may have any interest in the permanency or transformation of bodies and performances irrespective of Japanese contexts.

Conference and Performance on Land Affected by Emotions: PSi #21 Fluid States 2015 Tohoku

KOSUGE HAYATO

22th PSi conference (University of Melbourne) ,

2016.07

Oral presentation (general), PSi and University of Melbourne

ポスト・グローバリゼーション時代の日本演劇：ラウンドテーブル

KOSUGE HAYATO

2016年日本演劇学会全国大会 (大阪大学) ,

2016.07

Symposium, workshop panel (nominated), 日本演劇学会全国大会

Staging Past Disasters with Butoh Dance: Ohno Yoshito’s “Flower and Bird/Inside and Outside”

KOSUGE HAYATO

FIRT/IFTR International Federation for Theatre Research 2016, Stockholm, Sweeden (University of Stockholm, Sweeden) ,

2016.06

Oral presentation (general), University of Stockholm, Sweeden

ライブ×メディア―演劇と映像の関係性をめぐって

KOSUGE HAYATO

日本演劇学会分科会西洋比較演劇研究会シンポジウム (成城大学) ,

2015.12

Symposium, workshop panel (nominated), 日本演劇学会分科会西洋比較演劇研究会

Closing Roundtable Discussion: Performance Studies: Encounters, Engagements and Encumbrances

KOSUGE HAYATO

PSi#21 Philippines:On Tilted Earth: Performance, Disaster, Resiliencein Archipelagic Space (University of Philippines Diliman) ,

2015.11

Symposium, workshop panel (nominated), Performance Studies international

Performances and the National Trauma: How Are Artists To Respond to Large-scale Disaster and Its Aftermath?

KOSUGE HAYATO

PSi#21 Philippines:On Tilted Earth: Performance, Disaster, Resiliencein Archipelagic Space (University of De La Salle University, Manila) ,

2015.11

Oral presentation (general), Performance Studies international

Hijikata Tatsumi’s Butoh Body and the Hidden Power of Democracy

KOSUGE HAYATO

FIRT/IFTR International Federation for Theatre Research 2015, Hyderabad, India (University of Hyderabad, India) ,

2015.07

Oral presentation (general), University of Hyderabad, India

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